{"id":4868,"date":"2025-08-18T17:18:18","date_gmt":"2025-08-18T16:18:18","guid":{"rendered":"https:\/\/www.antikeo.com\/magazine\/?p=4868"},"modified":"2026-05-20T13:51:53","modified_gmt":"2026-05-20T12:51:53","slug":"la-valeur-des-choses-les-bronzes","status":"publish","type":"post","link":"https:\/\/www.antikeo.com\/magazine\/la-valeur-des-choses-les-bronzes\/","title":{"rendered":"La valeur des choses\u00a0\u2013 les bronzes"},"content":{"rendered":"\n

Les statues en bronze appartiennent au domaine des arts dits pluriels, c\u2019est-\u00e0-dire reproductibles. La difficult\u00e9 de fixation de la valeur n\u2019en est que plus grande.<\/em><\/p>\n\n\n\n

8 crit\u00e8res de prix<\/strong><\/h1>\n\n\n\n

1. Le sujet. Aujourd\u2019hui, la sculpture animali\u00e8re est appr\u00e9ci\u00e9e, notamment celle des \u00e9poques Art nouveau (1895-1914) et Art d\u00e9co (1918-1940), mais aussi celle du XIXe<\/sup> si\u00e8cle (Barye, M\u00e8ne…) qui conserve ses adeptes, surtout s\u2019il s\u2019agit de beaux tirages de grandes dimensions. La sculpture f\u00e9minine a aussi le vent en poupe, mais est parfois \u00e9litiste. En revanche la repr\u00e9sentation de notables du type chevaliers d\u2019industrie n\u2019est plus gu\u00e8re demand\u00e9e.<\/p>\n\n\n\n

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GALERIE ATENA<\/strong>, “L’enl\u00e8vement des Sabines” d’apr\u00e8s Giambologna, XIXe si\u00e8cle, en vente sur Antikeo<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n

2. Le fondeur. Ce nom est tr\u00e8s important. Un bronze, c\u2019est un artiste qui a fait l\u2019original (en terre r\u00e9fractaire) et un fondeur. Certains noms apportent un r\u00e9el plus \u00e0 l\u2019oeuvre : Valsuani, H\u00e9brard, Rudier, Ferdinand Barbedienne, Susse, Siot-Decauville, Thi\u00e9baut.<\/p>\n\n\n\n

3. Le tirage, la raret\u00e9. Le nombre d\u2019exemplaires fondus ou restant en circulation est \u00e9videmment important. Le conna\u00eetre n\u00e9cessite quelques recherches. A partir de 1981, le d\u00e9cret Marcus fixe \u00e0 8 + 4, soit 12 le nombre d\u2019exemplaires pouvant \u00eatre fondus pour les nouvelles cr\u00e9ations en France.<\/p>\n\n\n\n

4. La patine. Une belle patine obtenue par l\u2019alliance du fondeur et du temps est un argument mis souvent en avant par les vendeurs.<\/p>\n\n\n\n

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Galerie Caroline Miguet – Giafferri<\/strong>, Taureau Debout Par Louis Vidal (1831-1892), en vente sur Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n

5. L\u2019\u00e9poque de cr\u00e9ation. L\u2019anciennet\u00e9 n\u2019est pas essentielle pour la p\u00e9riode 1850 – 2000, soit \u00e0 partir de l\u2019\u00e8re industrielle. Les bronzes des XVIIIe<\/sup> , XVIe<\/sup> et XVe<\/sup> sont g\u00e9n\u00e9ralement tr\u00e8s chers. Ceux d\u2019artistes italiens des ann\u00e9es 1500 et 1600 se chiffrent souvent en centaines de milliers d\u2019euros.<\/p>\n\n\n\n

6. L\u2019\u00e9poque de fonte. La fonte du vivant de l\u2019artiste, et de pr\u00e9f\u00e9rence sous son contr\u00f4le, est la plus estim\u00e9e.<\/p>\n\n\n\n

7. Le nom de l\u2019artiste. Comme aujourd\u2019hui dans tous les domaines des antiquit\u00e9s, le nom occupe une place essentielle. Ceux de Rembrandt Bugatti ou Chiparus sont r\u00e9serv\u00e9s \u00e0 des personnes fortun\u00e9es. Idem pour Bourdelle, Fr\u00e9miet, Dali, Botero, Brancusi, Pompon, Severini\u2026 Pour des bronzes tr\u00e8s anciens, l\u2019absence d\u2019une attribution pr\u00e9cise n\u2019emp\u00eache pas de parfois r\u00e9aliser de gros prix, si l\u2019oeuvre est belle.<\/p>\n\n\n\n

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Galerie Jean-Luc Ferrand Antiquit\u00e9s<\/strong>, Fran\u00e7ois Pompon, Ours Blanc, Bronze, \u00e9dition 2006, num\u00e9rot\u00e9 9\/30, en vente sur Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n

8. Les dimensions. Toutes choses \u00e9tant \u00e9gales, un exemplaire de grande taille est davantage estim\u00e9.<\/p>\n\n\n\n

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Remarques :<\/strong><\/h2>\n\n\n\n

On ne confondra pas le bronze et la r\u00e9gule. Cette derni\u00e8re est un alliage beaucoup moins cot\u00e9 (on l\u2019appelait le bronze du pauvre).<\/p>\n\n\n\n

On fera attention aux faux obtenus par surmoulage ; ils sont l\u00e9g\u00e8rement plus petits et la sculpture est moins vive…<\/p>\n\n\n\n

\u2013 Daniel Cagnolati<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Les statues en bronze appartiennent au domaine des arts dits pluriels, c\u2019est-\u00e0-dire reproductibles. 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