{"id":6354,"date":"2026-06-10T10:31:59","date_gmt":"2026-06-10T09:31:59","guid":{"rendered":"https:\/\/www.antikeo.com\/magazine\/?p=6354"},"modified":"2026-10-19T20:10:40","modified_gmt":"2026-10-19T19:10:40","slug":"how-to-recognise-the-louis-xv-style","status":"publish","type":"post","link":"https:\/\/www.antikeo.com\/magazine\/en\/how-to-recognise-the-louis-xv-style\/","title":{"rendered":"How to Recognise the Louis XV Style"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Supple, elegant and driven by a new pursuit of comfort, the Louis XV style is one of the great moments in French furniture. Heir to the R\u00e9gence style, it takes the softening of forms further still: cabriole legs, bomb\u00e9 fronts and scalloped rails give furniture a sense of movement that rocaille ornament carries on. This evolution goes hand in hand with that of interiors, where intimacy and comfort assume an ever greater role.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The span of the style does not, however, correspond exactly to the reign of Louis XV, from 1715 to 1774. The Ch\u00e2teau de Versailles places the flowering of rocaille between the 1720s and the 1760s. The style thus reached maturity around the middle of the 18th century, before gradually giving way to the \u201c\u00e0 la grecque\u201d taste, which heralded the Transition style.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Recognising <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture?style=louis_xv_transition\" data-wpel-link=\"internal\">Louis XV furniture<\/a> is above all a matter of observing how the curve organises its silhouette. It links legs, uprights, rails and fronts without entirely doing away with straight lines. Shells, foliage and flowers make up a decorative scheme in which gilt bronze mounts, marquetry and lacquer emphasise the fluidity of the forms. More comfortable seating and small specialised pieces, for their part, bear witness to furniture better suited to everyday life.<\/p>\n\n\n<style>.kadence-column5573_e3299c-3d > .kt-inside-inner-col{padding-top:var(--global-kb-spacing-xs, 1rem);padding-right:var(--global-kb-spacing-xs, 1rem);padding-bottom:var(--global-kb-spacing-xs, 1rem);padding-left:var(--global-kb-spacing-xs, 1rem);}.kadence-column5573_e3299c-3d > .kt-inside-inner-col,.kadence-column5573_e3299c-3d > .kt-inside-inner-col:before{border-top-left-radius:20px;border-top-right-radius:20px;border-bottom-right-radius:20px;border-bottom-left-radius:20px;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column5573_e3299c-3d > .kt-inside-inner-col{flex-direction:column;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col{background-color:#9a7c80;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column5573_e3299c-3d{position:relative;}.kadence-column5573_e3299c-3d, .kt-inside-inner-col > .kadence-column5573_e3299c-3d:not(.specificity){margin-right:var(--global-kb-spacing-md, 2rem);margin-left:var(--global-kb-spacing-md, 2rem);}@media all and (max-width: 1024px){.kadence-column5573_e3299c-3d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column5573_e3299c-3d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column5573_e3299c-3d\"><div class=\"kt-inside-inner-col\">\n<h1 class=\"wp-block-heading has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-1\">At a Glance<\/h1>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\"><strong>Period<\/strong><br>Circa 1720\u20131760 for the fully developed style; the reign of Louis XV runs from 1715 to 1774.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\"><strong>Silhouette<\/strong><br>Dominance of the curve and the bomb\u00e9 profile; cabriole legs, scalloped rails, swelling or serpentine fronts.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\"><strong>Spirit<\/strong><br>Comfort, intimacy, elegance, mobility and the pursuit of continuous movement between the different parts of the piece.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-5 wp-block-paragraph\"><strong>Ornamentation<\/strong><br>Rocaille, shells, foliage, flowers, scrolls, cartouches, chinoiseries and skilfully balanced decorative asymmetries.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-6 wp-block-paragraph\"><strong>Materials<\/strong><br>Beech and walnut for seating; oak for carcasses; tulipwood, kingwood, purpleheart, rosewood, lacquer, gilt bronze and marble.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-7 wp-block-paragraph\"><strong>Iconic furniture<\/strong><br>Bomb\u00e9 commode, cabriolet armchair, \u00e0 la reine armchair, berg\u00e8re, bureau plat, slant-front desk, dressing table and small occasional tables.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-8 wp-block-paragraph\"><strong>Names and workshops<\/strong><br>Charles Cressent; Bernard II van Risenburgh (BVRB); Jacques Dubois; Mathieu Criaerd; Jean-Fran\u00e7ois Oeben; Nicolas-Quinibert Foliot; Jean-Baptiste Tilliard.<\/p>\n<\/div><\/div>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b, .wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b[data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b[data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b[data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_2f2d9e-4b wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"><strong>A Style Born of a New Way of Living<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Louis XV style accompanied a transformation in the interiors of the court and the urban elite. At Versailles, the king had more personal private apartments fitted out: his private bedchamber was installed as early as 1728, and his cabinets became places of work and daily life. In Paris, h\u00f4tels particuliers and salons fostered the same quest for intimacy.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">This development had a direct impact on furniture. Seats became lower and more enveloping; some left the walls to be moved about as conversation dictated. Writing tables, dressing tables, slant-front desks and mechanical furniture multiplied. Louis XV furniture thus responded as much to use as to taste.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">The change was artistic too. Ornamental designers drew on rocks, shells, waves, plants and flowers for a vocabulary freed from classical rigour. Chinoiserie, fuelled by imports of Asian porcelain and lacquer, provided another source of fantasy. In the 1730s\u20131750s this rocaille culture reached its full flowering, before a renewed interest in Antiquity began, around 1760, to straighten lines and pave the way for the Transition.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba, .wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba[data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba[data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba[data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_0ebd60-ba wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"><strong>The Louis XV Line: Curve, Movement and Suppleness<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The first reflex when identifying a piece of Louis XV furniture is to follow its lines. The curve is no longer confined to the cabriole leg alone: it spreads to the rails, the uprights, the fronts and sometimes the sides. On a commode, the front may swell and the sides curve; on a desk, the corners soften; on a seat, the back, arms and legs seem to share in the same movement.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">It would be an overstatement to say that Louis XV did away with straight lines. A bureau plat retains a rectangular top, and many pieces remain built around a clear axis. The novelty lies in the way breaks are concealed: mouldings, bronze mounts and bomb\u00e9 profiles create the impression of a continuous silhouette.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"750\" data-id=\"5621\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres.jpg\" alt=\"\" class=\"wp-image-5621\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres.jpg 750w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-150x150.jpg 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"1280\" data-id=\"6253\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740.jpg\" alt=\"\" class=\"wp-image-6253\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740.jpg 1280w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-150x150.jpg 150w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" data-id=\"6252\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803.jpg\" alt=\"\" class=\"wp-image-6252\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803.jpg 1920w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-1536x1536.jpg 1536w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-150x150.jpg 150w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Louis XV lines<\/strong>: Pair of Two-Light Wall Sconces in Gilt and Chased Bronze &#8211; Set of four chairs stamped Burgat &#8211; Tulipwood tric-trac table, <em>for sale on Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/furniture-dressers?style=louis_xv_transition\" data-type=\"link\" data-id=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/furniture-dressers?style=louis_xv_transition\" data-wpel-link=\"internal\">Louis XV commodes<\/a> offer the finest example: a bomb\u00e9 carcass, curved sides and cabriole legs that extend the uprights. The marble top follows the profile of the piece and, on refined examples, corner mounts, sabots and bronze surrounds accompany the bomb\u00e9 curve rather than interrupting it.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Seating takes the pursuit of comfort further still. The \u00e0 la reine armchair retains a flat back, suited to a more formal arrangement against the wall, while the cabriolet armchair adopts a concave back that envelops the body more closely and allows it to be placed in the centre of the room. The arms are set back and the legs cabriole; the berg\u00e8re closes the space between arm and seat with padded upholstery.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">A fine piece of Louis XV furniture should therefore be viewed from several angles. Its movement is not limited to a spectacular front: it continues along the sides, in the profile of the marble, in the springing of the legs or in the junction of an arm. This continuity distinguishes full-blown rocaille from the R\u00e9gence, where the curve merely softens a more clearly architectural structure.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec, .wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec[data-kb-block=\"kb-adv-heading5573_db4592-ec\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec[data-kb-block=\"kb-adv-heading5573_db4592-ec\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec[data-kb-block=\"kb-adv-heading5573_db4592-ec\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_db4592-ec wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_db4592-ec\"><strong> Ornament: Rocaille, Nature and Asymmetry<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Louis XV style favours a naturalistic, flowing vocabulary (shells, scrolls, foliage, flowers, sprays). Its great innovation lies in abandoning strict symmetry in favour of a freer, more dynamic composition.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" data-id=\"5626\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383.jpg\" alt=\"\" class=\"wp-image-5626\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383.jpg 600w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383-380x570.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383-150x225.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"5625\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359.jpg\" alt=\"\" class=\"wp-image-5625\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359.jpg 600w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" data-id=\"5627\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1.jpg\" alt=\"\" class=\"wp-image-5627\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1.jpg 600w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1-380x570.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1-150x225.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Galerie Atena<\/strong>, Rocaille clock in gilt and chased bronze, Raingo et Fr\u00e8res (details)<em> for sale on Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Decorative techniques vary according to the type of furniture:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Wood carving:<\/strong> Mainly found on seating, console tables and panelling.<\/li>\n\n\n\n<li><strong>Gilt bronze:<\/strong> Applied to emphasise the lines of commodes and veneered cabinet furniture.<\/li>\n\n\n\n<li><strong>Marquetry:<\/strong> Dominated by floral and plant motifs.<\/li>\n\n\n\n<li><strong>Prestige finishes:<\/strong> Use of varnishes, lacquers and Oriental-inspired decoration for pieces of the highest quality.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Style note: Rocaille asymmetry is not synonymous with chaos. In furniture of the highest calibre, the fantasy of the curves is always held in check by the rigour of the design.<\/em><\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e, .wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e[data-kb-block=\"kb-adv-heading5573_f4aba0-3e\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e[data-kb-block=\"kb-adv-heading5573_f4aba0-3e\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e[data-kb-block=\"kb-adv-heading5573_f4aba0-3e\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_f4aba0-3e wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_f4aba0-3e\">Materials and Craftsmanship<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">The Louis XV style comes in a wide variety of registers. A distinction can thus be drawn between court and Parisian workshop furniture, steeped in refinement and virtuosity, and a more restrained regional furniture, often sturdier, in which purity of line takes precedence over richness of materials.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-4 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5584\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre.jpg\" alt=\"\" class=\"wp-image-5584\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Rosewood<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5583\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante.jpg\" alt=\"\" class=\"wp-image-5583\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Purpleheart<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5585\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2.jpg\" alt=\"\" class=\"wp-image-5585\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Tulipwood<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5586\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette.jpg\" alt=\"\" class=\"wp-image-5586\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Kingwood<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">In the provinces, furniture favoured solid wood and discreet ornamentation, while seating used local species such as beech or walnut, sometimes painted or gilded. By contrast, Parisian luxury cabinetmaking turned commodes, secretaires and desks into true masterpieces of technical skill. Craftsmen deployed interplays of veneer, marquetry cartouches and chased bronze mounts (corner mounts, escutcheons, sabots, handles).<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>Hallmarks of Parisian luxury:<\/strong> The use of precious and exotic woods (<strong>tulipwood, kingwood, purpleheart, rosewood<\/strong>), recourse to <strong>floral marquetry<\/strong>, the ubiquity of <strong>gilt bronze<\/strong> and <strong>marble<\/strong> tops, and the application of <strong>vernis Martin<\/strong> and European or Oriental <strong>lacquers<\/strong> for exceptional pieces.<\/p>\n<\/blockquote>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce, .wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce[data-kb-block=\"kb-adv-heading5573_edd285-ce\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce[data-kb-block=\"kb-adv-heading5573_edd285-ce\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce[data-kb-block=\"kb-adv-heading5573_edd285-ce\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_edd285-ce wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_edd285-ce\">Some Key Names<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Charles Cressent<\/strong> belongs chiefly to the turning point between R\u00e9gence and Louis XV. Trained as a sculptor, he gave bronze mounts an exceptional presence and helped erase the separation between uprights, decoration and carcass. His works show how the still powerful vocabulary of the 1720s led towards a more supple rocaille.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bernard II van Risenburgh<\/strong>, who stamped his work B.V.R.B., embodies the full flowering of Louis XV cabinetmaking. His bureaux plats, commodes and lacquer-decorated pieces combine controlled curves, refined veneers and bronze mounts tailored to the forms. <strong>Jacques Dubois<\/strong> and <strong>Mathieu Criaerd<\/strong> likewise represent this high-luxury Parisian production.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"891\" height=\"891\" data-id=\"5651\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252.jpg\" alt=\"\" class=\"wp-image-5651\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252.jpg 891w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-150x150.jpg 150w\" sizes=\"auto, (max-width: 891px) 100vw, 891px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"887\" height=\"887\" data-id=\"5652\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506.jpg\" alt=\"\" class=\"wp-image-5652\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506.jpg 887w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-150x150.jpg 150w\" sizes=\"auto, (max-width: 887px) 100vw, 887px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"385\" data-id=\"5650\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125.jpg\" alt=\"\" class=\"wp-image-5650\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125.jpg 385w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-150x150.jpg 150w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Galerie Frederic Dulyere<\/strong>, Pair of Large Louis XV Berg\u00e8res Stamped Nicolas Quinibert Foliot, <em>for sale on Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jean-Fran\u00e7ois Oeben<\/strong> belongs to the final decades of the style. Cabinetmaker-mechanic to the King, he became famous for his ingenious tables and floral marquetry, including several pieces made for Madame de Pompadour. His works of the 1750s\u20131760s sometimes remain fully rocaille in their cabriole legs and bomb\u00e9 outlines, while certain compositions already herald the geometry of the Transition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">In chair-making, <strong>Nicolas-Quinibert Foliot<\/strong> and the <strong>Tilliard<\/strong> family rank among the great names of the reign. Their <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/seats\/armchairs?style=louis_xv_transition\" data-wpel-link=\"internal\">Louis XV armchairs<\/a> and suites of seat furniture combine precise construction, virtuoso carving and the pursuit of comfort. As always in the 18th century, these creations were the result of collective work bringing together joiner, carver, painter-gilder and upholsterer.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02, .wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02[data-kb-block=\"kb-adv-heading5573_076f41-02\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02[data-kb-block=\"kb-adv-heading5573_076f41-02\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02[data-kb-block=\"kb-adv-heading5573_076f41-02\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_076f41-02 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_076f41-02\">Emblematic Pieces <\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">The Louis XV Commode<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"750\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque.jpg\" alt=\"\" class=\"wp-image-5619\" style=\"width:308px;height:auto\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque.jpg 750w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-150x150.jpg 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\"><strong>Galerie <strong>Pellat de Villedon<\/strong> <\/strong>, Chinese lacquer commode, 17th-century period, <em>for sale on Antikeo<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">The commode is undoubtedly the most eloquent piece for grasping the Louis XV spirit: it alone concentrates the taste for the bomb\u00e9 curve, mastery of bronze and the art of decoration in motion. Leaving behind the massive proportions of the reign of Louis XIV, it adopts a decidedly more supple silhouette. Its bomb\u00e9 front and cabriole legs are surmounted by a marble top that follows its contours. Depending on its origin and quality, it is adorned with rich marquetry or relies on the elegant restraint of natural wood, always highlighted by gilt bronze handles and escutcheons.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"965\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526.jpg\" alt=\"\" class=\"wp-image-6261\" style=\"width:293px;height:auto\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526.jpg 667w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526-150x217.jpg 150w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526-379x549.jpg 379w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><figcaption class=\"wp-element-caption\"><strong><strong>Galerie <strong>Pellat de Villedon<\/strong><\/strong>, <\/strong>Louis XV armchair, <em>for sale on Antikeo<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">Louis XV Seating<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Louis XV seating perfectly illustrates the shift from rigid, theatrical ceremonial furniture to furniture that is more intimate and attentive to the body. This was the era when the pursuit of comfort became a priority. Silhouettes softened, with cabriole legs and set-back arms designed to accommodate panniered gowns. Whether a <strong>cabriolet armchair<\/strong> with a shaped back, an enveloping <strong>berg\u00e8re<\/strong> or a <strong>chair with a violin-shaped back<\/strong>, each piece stands out for the delicacy of its floral or rocaille carving.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">Small Occasional Furniture<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">The meteoric success of small furniture under Louis XV reflects a profound social change: salons became more intimate, rooms more specialised, and furniture adapted to the new gestures of daily life. A multitude of light, movable pieces thus flourished: <strong>slant-front secretaires<\/strong> for correspondence, <strong>writing tables<\/strong>, <strong>work tables<\/strong>, <strong>dressing tables<\/strong>, <strong>salon tables<\/strong>, as well as <strong>encoignures<\/strong> to make the most of space and charming wall-mounted <strong>consoles<\/strong>.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7, .wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7[data-kb-block=\"kb-adv-heading5573_89b3e7-c7\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7[data-kb-block=\"kb-adv-heading5573_89b3e7-c7\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7[data-kb-block=\"kb-adv-heading5573_89b3e7-c7\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_89b3e7-c7 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_89b3e7-c7\">Style Pointers<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">To tell a Louis XV piece from a Louis XVI one, simply begin by looking at its line: the former embraces curve and movement, while the latter restores axis, symmetry and the reference to Antiquity. To avoid any hesitation between the different styles of the 18th century, here are the essential visual keys:<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-4 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"750\" data-id=\"5641\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2.jpg\" alt=\"\" class=\"wp-image-5641\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2.jpg 750w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">R\u00e9gence<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1470\" height=\"1470\" data-id=\"6249\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333.jpg\" alt=\"\" class=\"wp-image-6249\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333.jpg 1470w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-150x150.jpg 150w\" sizes=\"auto, (max-width: 1470px) 100vw, 1470px\" \/><figcaption class=\"wp-element-caption\">Louis XV<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" data-id=\"6256\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2.jpg\" alt=\"\" class=\"wp-image-6256\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2.jpg 1920w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-150x150.jpg 150w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Transition<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1231\" height=\"1232\" data-id=\"6258\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1.png\" alt=\"\" class=\"wp-image-6258\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1.png 1231w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-100x100.png 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-96x96.png 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-150x150.png 150w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-380x380.png 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-769x770.png 769w\" sizes=\"auto, (max-width: 1231px) 100vw, 1231px\" \/><figcaption class=\"wp-element-caption\">Louis XVI<\/figcaption><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">The evolution of styles: R\u00e9gence, Louis XV, Transition and Louis XVI console tables, <em>for sale on Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>R\u00e9gence:<\/strong> A true style of transition, it initiates the softening of forms. Structures shed the rigour of the Grand Si\u00e8cle, yet retain a visible geometry and a relatively strict symmetry.<br><\/li>\n\n\n\n<li><strong>Louis XV:<\/strong> This is the reign of the assertive curve and the cabriole leg. The rocaille vocabulary unfolds through a controlled asymmetry, entirely dictated by the pursuit of comfort and lightness.<br><\/li>\n\n\n\n<li><strong>Transition:<\/strong> As its name suggests, this style brings two worlds together. It is a subtle dialogue between curves inherited from Louis XV and the gradual, almost tentative, return of straight lines.<br><\/li>\n\n\n\n<li><strong>Louis XVI:<\/strong> Marked by Neoclassicism and the rediscovery of Antiquity, it confirms the return of the straight line, perfect symmetry and tapering fluted legs, enhanced by garland and medallion motifs.<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Discover a Selection of Objects Related to This Article<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\"><!-- Bootstrap CSS -->\n<link rel=\"stylesheet\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/twitter-bootstrap\/5.1.3\/css\/bootstrap-grid.min.css\" integrity=\"sha512-q0LpKnEKG\/pAf1qi1SAyX0lCNnrlJDjAvsyaygu07x8OF4CEOpQhBnYiFW6YDUnOOcyAEiEYlV4S9vEc6akTEw==\" crossorigin=\"anonymous\" referrerpolicy=\"no-referrer\" \/>\n\n<div class=\"col-12 section section-latest-products\">\n    <div class=\"row row-product\">\n        <!--print products-->\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/other-tables\/a-central-writing-table-with-heraldic-inspired-decoration-louis-xv-period-mid-18th-century-173223\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_173223_6abcef3967b683-60432155-44461039.jpg\" alt=\"A central writing table with heraldic-inspired decoration. Louis XV period, mid-18th century.\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                A central writing table with heraldic-inspired decoration. Louis XV period, mid-18th century.            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">1.100 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/furniture-dressers\/louis-xv-commode-stamped-fg-for-francois-garnier-174495\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_174495_6aa3e63a590d71-40307343-20477284.jpg\" alt=\"Louis XV commode stamped FG for Fran\u00e7ois Garnier\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Louis XV commode stamped FG for Fran\u00e7ois Garnier            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">28.000 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/furniture-dressers\/a-louis-xv-period-commode-stamped-delorme-lacquered-in-the-japanese-style-174490\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_174490_6aa3df36a9a7b8-74960200-80701875.jpg\" alt=\"A Louis XV period commode, stamped Delorme, lacquered in the Japanese style.\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                A Louis XV period commode, stamped Delorme, lacquered in the Japanese style.            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">36.000 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/office-furniture\/vintage-louis-xv-style-children-s-slant-desk-with-marquetry-circa-1760-173730\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_173730_6a9a4ce69d86f8-06932800-93005692.jpg\" alt=\"Vintage Louis XV-style children&#039;s slant desk with marquetry\u2014circa 1760\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Vintage Louis XV-style children&#039;s slant desk with marquetry\u2014circa 1760            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">1.300 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/beds\/lit-francais-ancien-en-cannage-de-style-louis-xvi-xixe-siecle-173003\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_173003_6a902a4ba15a46-90653990-85136678.jpg\" alt=\"Lit fran\u00e7ais ancien en cannage de style Louis XVI  \u2013 XIXe si\u00e8cle\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Lit fran\u00e7ais ancien en cannage de style Louis XVI  \u2013 XIXe si\u00e8cle            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">2.995 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture\/furniture-dressers\/a-louis-xv-era-chest-of-drawers-with-a-hopping-top-stamped-delorme-lacquered-in-the-japanese-style-169654\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_169654_6a63495c21ab79-70266146-24291730.jpg\" alt=\"A Louis XV-era chest of drawers with a hopping top, stamped &quot;Delorme,&quot; lacquered in the Japanese style\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                A Louis XV-era chest of drawers with a hopping top, stamped &quot;Delorme,&quot; lacquered in the Japanese style            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">28.000 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n            <\/div>\n\n<!--    <div class=\"row-custom text-center\">\n                    <a href=\"\" target=\"_blank\" class=\"read-more tipi-button custom-button__fill-1 custom-button__rounded-2\" data-wpel-link=\"internal\"><span>&nbsp;<\/span><i class=\"icon-arrow-right\"><\/i><\/a>\n                    <a href=\"\" target=\"_blank\" class=\"read-more tipi-button custom-button__fill-1 custom-button__rounded-2\" data-wpel-link=\"internal\"><span>&nbsp;<\/span><i class=\"icon-arrow-right\"><\/i><\/a>\n            <\/div>-->\n<\/div>\n<style>\n    .read-more {\n 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kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn\" href=\"https:\/\/www.antikeo.com\/en\/catalog\/furniture?style=louis_xv_transition\" data-wpel-link=\"internal\"><span class=\"kt-btn-inner-text\">Louis XV Furniture<\/span><\/a>\n\n<style>ul.menu .wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button{width:initial;}.wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button{background:#9a7c80;border-top-left-radius:358px;border-top-right-radius:358px;border-bottom-right-radius:358px;border-bottom-left-radius:358px;border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;padding:var(--kb-btn-padding);margin:var(--kb-btn-margin);box-shadow:none;}.wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button:focus{background:#86696d;box-shadow:var(--kb-btn-shadow-hover, none);}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}<\/style><a class=\"kb-button kt-button button kb-btn5573_294637-aa kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn\" href=\"https:\/\/www.antikeo.com\/en\/catalog\/seats?style=louis_xv_transition\" data-wpel-link=\"internal\"><span class=\"kt-btn-inner-text\">Louis XV Seating<\/span><\/a>\n\n<style>ul.menu .wp-block-kadence-advancedbtn .kb-btn5573_512531-37.kb-button{width:initial;}.wp-block-kadence-advancedbtn 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kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn\" href=\"https:\/\/www.antikeo.com\/en\/catalog\/mirrors?style=louis_xv_transition\" data-wpel-link=\"internal\"><span class=\"kt-btn-inner-text\">Louis XV Mirrors<\/span><\/a><\/div>\n\n\n<style>.wp-block-kadence-advancedbtn.kb-btns5573_210a2a-2c{gap:var(--global-kb-gap-xs, 0.5rem );justify-content:center;align-items:center;}.kt-btns5573_210a2a-2c .kt-button{font-weight:normal;font-style:normal;}.kt-btns5573_210a2a-2c .kt-btn-wrap-0{margin-right:5px;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button{color:#555555;border-color:#555555;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:focus{color:#ffffff;border-color:#444444;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button::before{display:none;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:focus{background:#444444;}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns5573_210a2a-2c\"><style>ul.menu .wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{width:initial;}.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{background:#9a7c80;border-top-left-radius:358px;border-top-right-radius:358px;border-bottom-right-radius:358px;border-bottom-left-radius:358px;border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;padding:var(--kb-btn-padding);margin:var(--kb-btn-margin);box-shadow:none;}.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button:focus{background:#86696d;box-shadow:var(--kb-btn-shadow-hover, none);}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}<\/style><a class=\"kb-button kt-button button kb-btn5573_388e64-6f kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn\" href=\"https:\/\/www.antikeo.com\/en\/catalog?style=louis_xv_transition\" data-wpel-link=\"internal\"><span class=\"kt-btn-inner-text\">All Louis XV Objects<\/span><\/a><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has--font-size\">FAQ: Everything You Need to Know About Louis XV Furniture<\/h2>\n\n\n\n<div class=\"schema-faq wp-block-yoast-faq-block\"><div class=\"schema-faq-section\" id=\"faq-question-1780054654789\"><strong class=\"schema-faq-question\">How can you recognise a piece of Louis XV furniture?<\/strong> <p class=\"schema-faq-answer\"> It stands out immediately for its absence of straight lines. Look for its cabriole legs, bomb\u00e9 silhouettes, nature-inspired ornament and an evident pursuit of comfort.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054671703\"><strong class=\"schema-faq-question\">What is the difference between the Louis XV and Louis XVI styles?<\/strong> <p class=\"schema-faq-answer\">It is all a question of geometry. Louis XV furniture swears by curves, movement and asymmetry. Conversely, the Louis XVI style marks the return of the straight line, perfect symmetry and Neoclassical taste.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054924914\"><strong class=\"schema-faq-question\">What are the characteristics of a commode from this period?<\/strong> <p class=\"schema-faq-answer\">This centrepiece features a serpentine front, a marble top cut to measure and chased bronze handles. Depending on its quality, it displays a precious wood veneer or the restraint of a solid regional wood.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054940063\"><strong class=\"schema-faq-question\">What are the most common ornamental motifs?<\/strong> <p class=\"schema-faq-answer\">The decorative repertoire borrows its forms from the marine and plant worlds: it chiefly features asymmetrical shells, scrolls, intertwined foliage and floral compositions.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054953263\"><strong class=\"schema-faq-question\">Which craftsmen left their mark on cabinetmaking and joinery under Louis XV?<\/strong> <p class=\"schema-faq-answer\">Among the prestigious names of 18th-century Parisian craftsmanship are the cabinetmakers Charles Cressent, BVRB and Jean-Fran\u00e7ois Oeben, as well as the master chair-makers Nicolas-Quinibert Foliot and Jean-Baptiste Tilliard.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788867943712\"><strong class=\"schema-faq-question\">What are the dates of the Louis XV style?<span style=\"color: rgb(0, 0, 0); font-size: medium; white-space: normal;\"><\/span><\/strong> <p class=\"schema-faq-answer\">The reign of Louis XV runs from 1715 to 1774, but the fully developed rocaille style flourished mainly from the 1720s to the 1760s. From the late 1750s onwards, the taste for Antiquity was already beginning to alter forms, gradually leading to the Transition style.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788867993822\"><strong class=\"schema-faq-question\">What is a cabriolet armchair?<\/strong> <p class=\"schema-faq-answer\">Unlike the \u00e0 la reine armchair, which has a flat back, the cabriolet armchair has a concave back that follows the body more closely. Lighter and movable, it was designed to be placed within the room rather than systematically lined up against the panelling.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788868046639\"><strong class=\"schema-faq-question\">Is Louis XV furniture always stamped?<\/strong> <p class=\"schema-faq-answer\">No. The stamp became compulsory in Paris in 1743 for furniture offered for sale, but earlier pieces, provincial pieces or certain Crown commissions may fall outside this rule. The absence of a mark is therefore never a sufficient verdict.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788868053822\"><strong class=\"schema-faq-question\">How do you distinguish a Louis XV period piece from a Louis XV style piece?<\/strong> <p class=\"schema-faq-answer\">You need to examine the carcass, joints, veneers, drawers, ironwork, bronze mounts, marble, stamps and wear. The 19th century borrowed extensively from the Louis XV vocabulary: a handsome bomb\u00e9 profile or a rocaille shell is therefore not enough to establish a date.<\/p> <\/div> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Supple, elegant and driven by a new pursuit of comfort, the Louis XV style is one of the great moments&#8230;<\/p>\n","protected":false},"author":1,"featured_media":6055,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[568],"tags":[],"yst_prominent_words":[],"class_list":["post-6354","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-decorative-styles"],"lang":"en","translations":{"en":6354,"fr":5573,"it":6356,"de":6358},"taxonomy_info":{"category":[{"value":568,"label":"Decorative Styles"}]},"featured_image_src_large":["https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/Louis-XV.jpg",1000,1000,false],"author_info":{"display_name":"Antikeo","author_link":"https:\/\/www.antikeo.com\/magazine\/author\/admin\/"},"comment_info":0,"category_info":[{"term_id":568,"name":"Decorative Styles","slug":"decorative-styles","term_group":0,"term_taxonomy_id":568,"taxonomy":"category","description":"","parent":0,"count":1,"filter":"raw","cat_ID":568,"category_count":1,"category_description":"","cat_name":"Decorative Styles","category_nicename":"decorative-styles","category_parent":0}],"tag_info":false,"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v14.0.4 - 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