{"id":6356,"date":"2026-06-10T10:31:59","date_gmt":"2026-06-10T09:31:59","guid":{"rendered":"https:\/\/www.antikeo.com\/magazine\/?p=6356"},"modified":"2026-10-19T20:13:19","modified_gmt":"2026-10-19T19:13:19","slug":"come-riconoscere-lo-stile-luigi-xv","status":"publish","type":"post","link":"https:\/\/www.antikeo.com\/magazine\/it\/come-riconoscere-lo-stile-luigi-xv\/","title":{"rendered":"Come riconoscere lo stile Luigi XV?"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\"><em>Sinuoso, elegante e animato da una nuova ricerca di comfort, lo stile Luigi XV rappresenta uno dei grandi momenti del mobile francese. Erede dello stile R\u00e9gence, porta ancora pi\u00f9 avanti l\u2019ammorbidimento delle forme: gambe arcuate, facciate bombate e traverse sagomate conferiscono ai mobili un movimento prolungato dal decoro rocaille. Questa evoluzione accompagna quella degli interni, dove l\u2019intimit\u00e0 e il comfort assumono un ruolo crescente.<\/em><\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il periodo dello stile non coincide tuttavia esattamente con il regno di Luigi XV, dal 1715 al 1774. La reggia di Versailles colloca la fioritura del rocaille tra il 1720 e il 1760. Lo stile raggiunge cos\u00ec la sua maturit\u00e0 verso la met\u00e0 del XVIII secolo, prima di cedere progressivamente il passo al gusto \u00ab\u00e0 la grecque\u00bb, che annuncia lo stile Transition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Riconoscere i <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia?style=louis_xv_transition\" data-wpel-link=\"internal\">mobili Luigi XV<\/a> significa innanzitutto osservare il modo in cui la curva organizza la loro silhouette. Essa collega gambe, montanti, traverse e facciate senza tuttavia far scomparire ogni linea retta. Conchiglie, fogliami e fiori compongono un decoro in cui bronzi dorati, intarsi e lacche sottolineano la fluidit\u00e0 delle forme. Sedute pi\u00f9 confortevoli e piccoli mobili specializzati testimoniano, dal canto loro, un arredo maggiormente adatto agli usi quotidiani.<\/p>\n\n\n<style>.kadence-column5573_e3299c-3d > .kt-inside-inner-col{padding-top:var(--global-kb-spacing-xs, 1rem);padding-right:var(--global-kb-spacing-xs, 1rem);padding-bottom:var(--global-kb-spacing-xs, 1rem);padding-left:var(--global-kb-spacing-xs, 1rem);}.kadence-column5573_e3299c-3d > .kt-inside-inner-col,.kadence-column5573_e3299c-3d > .kt-inside-inner-col:before{border-top-left-radius:20px;border-top-right-radius:20px;border-bottom-right-radius:20px;border-bottom-left-radius:20px;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col{column-gap:var(--global-kb-gap-sm, 1rem);}.kadence-column5573_e3299c-3d > .kt-inside-inner-col{flex-direction:column;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col > .aligncenter{width:100%;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col{background-color:#9a7c80;}.kadence-column5573_e3299c-3d > .kt-inside-inner-col:before{opacity:0.3;}.kadence-column5573_e3299c-3d{position:relative;}.kadence-column5573_e3299c-3d, .kt-inside-inner-col > .kadence-column5573_e3299c-3d:not(.specificity){margin-right:var(--global-kb-spacing-md, 2rem);margin-left:var(--global-kb-spacing-md, 2rem);}@media all and (max-width: 1024px){.kadence-column5573_e3299c-3d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}@media all and (max-width: 767px){.kadence-column5573_e3299c-3d > .kt-inside-inner-col{flex-direction:column;justify-content:center;}}<\/style>\n<div class=\"wp-block-kadence-column kadence-column5573_e3299c-3d\"><div class=\"kt-inside-inner-col\">\n<h1 class=\"wp-block-heading has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-1\">L\u2019essenziale<\/h1>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-2 wp-block-paragraph\"><strong>Epoca<\/strong><br>Circa 1720-1760 per lo stile pieno; il regno di Luigi XV si estende dal 1715 al 1774.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-3 wp-block-paragraph\"><strong>Silhouette<\/strong><br>Predominio della curva e della bombatura; gambe arcuate, traverse sagomate, facciate bombate o sinuose.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-4 wp-block-paragraph\"><strong>Spirito<\/strong><br>Comfort, intimit\u00e0, eleganza, mobilit\u00e0 e ricerca di un movimento continuo tra le diverse parti del mobile.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-5 wp-block-paragraph\"><strong>Ornamentazione<\/strong><br>Rocaille, conchiglie, fogliami, fiori, volute, cartigli, cineserie e asimmetrie decorative sapientemente equilibrate.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-6 wp-block-paragraph\"><strong>Materiali<\/strong><br>Faggio e noce per le sedute; quercia per le strutture; bois de rose, bois de violette, amaranto, palissandro, lacche, bronzi dorati e marmi.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-7 wp-block-paragraph\"><strong>Mobili iconici<\/strong><br>Commode bombata, poltrona cabriolet, poltrona \u00e0 la reine, berg\u00e8re, bureau plat, scrittoio a ribalta, toeletta e tavolini d\u2019uso.<\/p>\n\n\n\n<p class=\"has-text-align-center has-theme-palette-8-color has-text-color has-link-color wp-elements-8 wp-block-paragraph\"><strong>Nomi e botteghe<\/strong><br>Charles Cressent; Bernard II van Risenburgh (BVRB); Jacques Dubois; Mathieu Criaerd; Jean-Fran\u00e7ois Oeben; Nicolas-Quinibert Foliot; Jean-Baptiste Tilliard.<\/p>\n<\/div><\/div>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b, .wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b[data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b[data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_2f2d9e-4b[data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_2f2d9e-4b wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_2f2d9e-4b\"><strong>Uno stile nato da un nuovo modo di abitare<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo stile Luigi XV accompagna una trasformazione degli interni della corte e delle \u00e9lite urbane. A Versailles, il re fa allestire appartamenti interni pi\u00f9 personali: la sua camera privata viene sistemata gi\u00e0 nel 1728 e i suoi gabinetti diventano luoghi di lavoro e di vita quotidiana. A Parigi, h\u00f4tels particuliers e salotti favoriscono la stessa ricerca di intimit\u00e0.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Questa evoluzione modifica direttamente il mobilio. Le sedute diventano pi\u00f9 basse e pi\u00f9 avvolgenti; alcune si staccano dalle pareti per essere spostate secondo l\u2019andamento della conversazione. Tavoli da scrittura, tavoli da toeletta, scrittoi a ribalta e mobili a meccanismo si moltiplicano. Il Luigi XV risponde cos\u00ec tanto agli usi quanto al gusto.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Il cambiamento \u00e8 anche artistico. Gli ornatisti attingono dalle rocce, dalle conchiglie, dalle onde, dalle piante e dai fiori un vocabolario libero dal rigore classico. La cineseria, alimentata dall\u2019importazione di porcellane e lacche asiatiche, apporta un\u2019altra fonte di fantasia. Tra il 1730 e il 1750, questa cultura rocaille raggiunge la sua piena fioritura, prima che un rinnovato interesse per l\u2019Antichit\u00e0 cominci, verso il 1760, a raddrizzare le linee e a preparare il Transition.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba, .wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba[data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba[data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_0ebd60-ba[data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_0ebd60-ba wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_0ebd60-ba\"><strong>La linea Luigi XV: curva, movimento e morbidezza<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Il primo riflesso per riconoscere un mobile Luigi XV \u00e8 seguirne le linee. La curva non si limita pi\u00f9 alla sola gamba arcuata: si estende alle traverse, ai montanti, alle facciate e talvolta ai fianchi. In una commode, il fronte pu\u00f2 bombarsi e i fianchi incurvarsi; in una scrivania, gli angoli si addolciscono; in una seduta, schienale, braccioli e gambe sembrano partecipare allo stesso movimento.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Sarebbe eccessivo affermare che il Luigi XV elimini le linee rette. Un bureau plat conserva un piano rettangolare e molti mobili restano costruiti attorno a un asse chiaro. La novit\u00e0 risiede nel modo di dissimulare le interruzioni: modanature, bronzi e bombature danno l\u2019impressione di una silhouette continua.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-1 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"750\" data-id=\"5621\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres.jpg\" alt=\"\" class=\"wp-image-5621\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres.jpg 750w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/candelabres-150x150.jpg 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1280\" height=\"1280\" data-id=\"6253\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740.jpg\" alt=\"\" class=\"wp-image-6253\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740.jpg 1280w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_172348_6a87d44a36ebe9-68265115-71238740-150x150.jpg 150w\" sizes=\"auto, (max-width: 1280px) 100vw, 1280px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" data-id=\"6252\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803.jpg\" alt=\"\" class=\"wp-image-6252\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803.jpg 1920w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-1536x1536.jpg 1536w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_110755_68374f61856e28-82509010-72590803-150x150.jpg 150w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Linee Luigi XV<\/strong>: Coppia di appliques in bronzo dorato e cesellato a due bracci di luce &#8211; Serie di quattro sedie stampigliata Burgat &#8211; Tavolo da tric-trac in bois de rose, <em>in vendita su Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia\/mobili-como?style=louis_xv_transition\" data-type=\"link\" data-id=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia\/mobili-como?style=louis_xv_transition\" data-wpel-link=\"internal\">commode Luigi XV<\/a> ne offrono il miglior esempio: corpo bombato, fianchi incurvati e gambe cabriolet prolungano i montanti. Il marmo segue il profilo del mobile e, nei pezzi pi\u00f9 raffinati, cantonali, puntali e cornici in bronzo accompagnano la bombatura invece di interromperla.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Le sedute spingono ancora pi\u00f9 in l\u00e0 la ricerca del comfort. La poltrona \u00e0 la reine conserva uno schienale piatto, adatto a una disposizione pi\u00f9 formale contro la parete, mentre la poltrona cabriolet adotta uno schienale concavo che avvolge maggiormente il corpo e consente di collocarla al centro della stanza. I braccioli sono arretrati e le gambe arcuate; la berg\u00e8re chiude lo spazio tra bracciolo e seduta con un\u2019imbottitura.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Un buon mobile Luigi XV va dunque osservato da pi\u00f9 angolazioni. Il movimento non si riduce a una facciata spettacolare: prosegue sui fianchi, nel profilo del marmo, nell\u2019attacco delle gambe o nel raccordo di un bracciolo. Questa continuit\u00e0 distingue il rocaille pieno dalla R\u00e9gence, in cui la curva ammorbidisce ancora una struttura pi\u00f9 chiaramente architettonica.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec, .wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec[data-kb-block=\"kb-adv-heading5573_db4592-ec\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec[data-kb-block=\"kb-adv-heading5573_db4592-ec\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_db4592-ec[data-kb-block=\"kb-adv-heading5573_db4592-ec\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_db4592-ec wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_db4592-ec\"><strong> Il decoro: rocaille, natura e asimmetria<\/strong><\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo stile Luigi XV predilige un vocabolario naturalistico e fluido (conchiglie, volute, fogliami, fiori, rametti). La grande novit\u00e0 risiede nell\u2019abbandono della simmetria rigorosa a favore di una composizione pi\u00f9 libera e dinamica.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-2 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" data-id=\"5626\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383.jpg\" alt=\"\" class=\"wp-image-5626\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383.jpg 600w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383-380x570.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a943671c91e6-85031685-20717383-150x225.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" data-id=\"5625\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359.jpg\" alt=\"\" class=\"wp-image-5625\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359.jpg 600w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65aa1fff9282a9-82177251-44727359-150x150.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"900\" data-id=\"5627\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1.jpg\" alt=\"\" class=\"wp-image-5627\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1.jpg 600w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1-380x570.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x500_60692_65a94360595376-30127945-44837515-1-150x225.jpg 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Galerie Atena<\/strong>, Pendola rocaille in bronzo dorato e cesellato, Raingo et Fr\u00e8res (dettagli)<em> in vendita su Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Le tecniche decorative variano a seconda della tipologia del mobile:<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Intaglio ligneo:<\/strong> praticato principalmente su sedute, console e boiserie.<\/li>\n\n\n\n<li><strong>Bronzi dorati:<\/strong> applicati per sottolineare le linee delle commode e dei mobili di ebanisteria.<\/li>\n\n\n\n<li><strong>Intarsio:<\/strong> dominato dai motivi floreali e vegetali.<\/li>\n\n\n\n<li><strong>Finiture di prestigio:<\/strong> impiego di vernici, lacche e decori d\u2019ispirazione orientale per i pezzi di alta manifattura.<\/li>\n<\/ul>\n\n\n\n<p class=\"wp-block-paragraph\"><em>Nota di stile: l\u2019asimmetria rocaille non \u00e8 sinonimo di caos. Nel mobile d\u2019eccellenza, la fantasia delle curve resta sempre incanalata dal rigore del disegno.<\/em><\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e, .wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e[data-kb-block=\"kb-adv-heading5573_f4aba0-3e\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e[data-kb-block=\"kb-adv-heading5573_f4aba0-3e\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_f4aba0-3e[data-kb-block=\"kb-adv-heading5573_f4aba0-3e\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_f4aba0-3e wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_f4aba0-3e\">I materiali e il tocco<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Lo stile Luigi XV si declina in registri molto diversi. Si distingue cos\u00ec un mobile di corte e di bottega parigina, improntato a raffinatezza e virtuosismo, e un mobile regionale pi\u00f9 sobrio, spesso pi\u00f9 robusto, in cui la purezza della linea prevale sulla ricchezza dei materiali.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-4 is-cropped wp-block-gallery-3 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5584\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre.jpg\" alt=\"\" class=\"wp-image-5584\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/palissandre-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Palissandro<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5583\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante.jpg\" alt=\"\" class=\"wp-image-5583\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/amarante-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Amaranto<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5585\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2.jpg\" alt=\"\" class=\"wp-image-5585\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_rose-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Bois de rose<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"250\" height=\"250\" data-id=\"5586\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette.jpg\" alt=\"\" class=\"wp-image-5586\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette.jpg 250w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/05\/bois_de_violette-150x150.jpg 150w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/><figcaption class=\"wp-element-caption\">Bois de violette<\/figcaption><\/figure>\n<\/figure>\n\n\n\n<p class=\"wp-block-paragraph\">Nelle province, i mobili privilegiano il legno massello e un\u2019ornamentazione discreta, mentre le sedute adottano essenze locali come il faggio o il noce, talvolta dipinte o dorate. All\u2019opposto, l\u2019ebanisteria di lusso parigina trasforma commode, secr\u00e9taire e scrivanie in veri capolavori di tecnica. Gli artigiani vi dispiegano giochi di impiallacciatura, cartigli intarsiati e guarnizioni in bronzo cesellato (cantonali, bocchette, puntali, maniglie).<\/p>\n\n\n\n<blockquote class=\"wp-block-quote is-layout-flow wp-block-quote-is-layout-flow\">\n<p class=\"wp-block-paragraph\"><strong>I segni distintivi del lusso parigino:<\/strong> l\u2019impiego di essenze preziose ed esotiche (<strong>bois de rose, bois de violette, amaranto, palissandro<\/strong>), il ricorso all\u2019<strong>intarsio floreale<\/strong>, l\u2019onnipresenza del <strong>bronzo dorato<\/strong> e dei piani in <strong>marmo<\/strong>, o ancora l\u2019applicazione del <strong>vernis Martin<\/strong> e di <strong>lacche<\/strong> europee od orientali per i pezzi d\u2019eccezione.<\/p>\n<\/blockquote>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce, .wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce[data-kb-block=\"kb-adv-heading5573_edd285-ce\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce[data-kb-block=\"kb-adv-heading5573_edd285-ce\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_edd285-ce[data-kb-block=\"kb-adv-heading5573_edd285-ce\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_edd285-ce wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_edd285-ce\">Alcuni nomi<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Charles Cressent<\/strong> appartiene soprattutto al passaggio tra R\u00e9gence e Luigi XV. Formatosi come scultore, conferisce ai bronzi una presenza eccezionale e contribuisce a far scomparire la separazione tra montanti, decoro e corpo del mobile. Le sue opere permettono di comprendere come il vocabolario ancora possente degli anni Venti del Settecento conduca verso un rocaille pi\u00f9 morbido.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Bernard II van Risenburgh<\/strong>, che stampigliava B.V.R.B., incarna la piena fioritura dell\u2019ebanisteria Luigi XV. Bureaux plats, commode e mobili ornati di lacche associano curve controllate, impiallacciature raffinate e bronzi adattati alle forme. Anche <strong>Jacques Dubois<\/strong> e <strong>Mathieu Criaerd<\/strong> rappresentano questa produzione parigina di gran lusso.<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-default is-cropped wp-block-gallery-4 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"891\" height=\"891\" data-id=\"5651\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252.jpg\" alt=\"\" class=\"wp-image-5651\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252.jpg 891w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe83be897-31563134-56838252-150x150.jpg 150w\" sizes=\"auto, (max-width: 891px) 100vw, 891px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"887\" height=\"887\" data-id=\"5652\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506.jpg\" alt=\"\" class=\"wp-image-5652\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506.jpg 887w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe5d5fed1-60162545-12278506-150x150.jpg 150w\" sizes=\"auto, (max-width: 887px) 100vw, 887px\" \/><\/figure>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"385\" height=\"385\" data-id=\"5650\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125.jpg\" alt=\"\" class=\"wp-image-5650\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125.jpg 385w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_112336_6849cfe7c28497-09482226-88482125-150x150.jpg 150w\" sizes=\"auto, (max-width: 385px) 100vw, 385px\" \/><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\"><strong>Galerie Frederic Dulyere<\/strong>, Coppia di grandi berg\u00e8re Luigi XV stampigliate Nicolas Quinibert Foliot, <em>in vendita su Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<p class=\"wp-block-paragraph\"><strong>Jean-Fran\u00e7ois Oeben<\/strong> appartiene agli ultimi decenni dello stile. Ebanista meccanico del Re, diventa celebre per i suoi tavoli ingegnosi e i suoi intarsi floreali, tra cui diversi mobili destinati a Madame de Pompadour. Le sue opere degli anni 1750-1760 restano talvolta pienamente rocaille per le gambe cabriolet e i contorni bombati, mentre alcune composizioni annunciano gi\u00e0 la geometria del Transition.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Nella falegnameria di sedute, <strong>Nicolas-Quinibert Foliot<\/strong> e i <strong>Tilliard<\/strong> figurano tra i grandi nomi del regno. Le loro <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/posti-a-sedere\/poltrone?style=louis_xv_transition\" data-wpel-link=\"internal\">poltrone Luigi XV<\/a> e i loro insiemi di sedute associano costruzione precisa, intaglio virtuoso e ricerca del comfort. Come sempre nel XVIII secolo, queste creazioni sono il frutto di un lavoro collettivo che riunisce falegname, intagliatore, pittore-doratore e tappezziere.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02, .wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02[data-kb-block=\"kb-adv-heading5573_076f41-02\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02[data-kb-block=\"kb-adv-heading5573_076f41-02\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_076f41-02[data-kb-block=\"kb-adv-heading5573_076f41-02\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_076f41-02 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_076f41-02\">I mobili emblematici <\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">La commode Luigi XV<\/h3>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"750\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque.jpg\" alt=\"\" class=\"wp-image-5619\" style=\"width:308px;height:auto\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque.jpg 750w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/commode-en-laque-150x150.jpg 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\"><strong>Galerie <strong>Pellat de Villedon<\/strong> <\/strong>, Commode in lacca di Cina, d\u2019epoca XVII secolo, <em>in vendita su Antikeo<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<p class=\"wp-block-paragraph\">La commode \u00e8 senza dubbio il mobile pi\u00f9 eloquente per cogliere lo spirito Luigi XV: concentra da sola il gusto per la bombatura, la padronanza del bronzo e l\u2019arte del decoro in movimento. Abbandonando le proporzioni massicce del regno di Luigi XIV, adotta una silhouette decisamente pi\u00f9 morbida. La sua facciata bombata e le sue gambe arcuate sono sormontate da un piano di marmo che ne asseconda i contorni. A seconda della provenienza e della qualit\u00e0, si adorna di un ricco decoro a intarsio oppure punta sull\u2019elegante sobriet\u00e0 del legno naturale, sempre sottolineata da maniglie e bocchette in bronzo dorato.<\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"667\" height=\"965\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526.jpg\" alt=\"\" class=\"wp-image-6261\" style=\"width:293px;height:auto\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526.jpg 667w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526-150x217.jpg 150w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_143848_6992c79cd61eb0-56233276-65956526-379x549.jpg 379w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><figcaption class=\"wp-element-caption\"><strong><strong>Galerie <strong>Pellat de Villedon<\/strong><\/strong>, <\/strong>poltrona Luigi XV, <em>in vendita su Antikeo<\/em><\/figcaption><\/figure>\n<\/div>\n\n\n<h3 class=\"wp-block-heading\">Le sedute Luigi XV<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">La seduta Luigi XV illustra perfettamente il passaggio da un mobile di rappresentanza, rigido e teatrale, a un mobile pi\u00f9 intimo e attento al corpo. \u00c8 l\u2019epoca in cui la ricerca del comfort diventa una priorit\u00e0. Le silhouette si addolciscono con gambe arcuate e braccioli arretrati, concepiti per accogliere gli abiti con panier. Che si tratti di una <strong>poltrona cabriolet<\/strong> dallo schienale traforato, di un\u2019avvolgente <strong>berg\u00e8re<\/strong> o di una <strong>sedia con schienale a violino<\/strong>, ogni pezzo si distingue per la finezza del suo intaglio floreale o rocaille.<\/p>\n\n\n\n<h3 class=\"wp-block-heading\">I piccoli mobili d\u2019uso<\/h3>\n\n\n\n<p class=\"wp-block-paragraph\">Il folgorante successo dei piccoli mobili sotto Luigi XV testimonia una profonda trasformazione della societ\u00e0: i salotti si fanno pi\u00f9 intimi, gli ambienti si specializzano e il mobilio si adatta ai nuovi gesti del quotidiano. Fiorisce cos\u00ec una moltitudine di mobili leggeri e mobili: <strong>scrittoi a ribalta<\/strong> per la corrispondenza, <strong>tavoli da scrittura<\/strong>, <strong>tavolini da lavoro<\/strong>, <strong>toelette<\/strong>, <strong>tavolini da salotto<\/strong>, ma anche <strong>angoliere<\/strong> per ottimizzare lo spazio o graziose <strong>console<\/strong> a muro.<\/p>\n\n\n<style>.wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7, .wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7[data-kb-block=\"kb-adv-heading5573_89b3e7-c7\"]{font-style:normal;}.wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7 mark.kt-highlight, .wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7[data-kb-block=\"kb-adv-heading5573_89b3e7-c7\"] mark.kt-highlight{font-style:normal;color:#f76a0c;-webkit-box-decoration-break:clone;box-decoration-break:clone;padding-top:0px;padding-right:0px;padding-bottom:0px;padding-left:0px;}.wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7 img.kb-inline-image, .wp-block-kadence-advancedheading.kt-adv-heading5573_89b3e7-c7[data-kb-block=\"kb-adv-heading5573_89b3e7-c7\"] img.kb-inline-image{width:150px;vertical-align:baseline;}<\/style>\n<h2 class=\"kt-adv-heading5573_89b3e7-c7 wp-block-kadence-advancedheading\" data-kb-block=\"kb-adv-heading5573_89b3e7-c7\">Punti di riferimento stilistici<\/h2>\n\n\n\n<p class=\"wp-block-paragraph\">Per distinguere un mobile Luigi XV da un mobile Luigi XVI, basta innanzitutto osservarne la linea: il primo asseconda la curva e il movimento, mentre il secondo ristabilisce l\u2019asse, la simmetria e il riferimento all\u2019antico. Per non esitare pi\u00f9 tra i diversi stili del XVIII secolo, ecco le chiavi visive imprescindibili:<\/p>\n\n\n\n<figure class=\"wp-block-gallery alignwide has-nested-images columns-4 is-cropped wp-block-gallery-5 is-layout-flex wp-block-gallery-is-layout-flex\">\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"750\" height=\"750\" data-id=\"5641\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2.jpg\" alt=\"\" class=\"wp-image-5641\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2.jpg 750w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/console-regence-2-150x150.jpg 150w\" sizes=\"auto, (max-width: 750px) 100vw, 750px\" \/><figcaption class=\"wp-element-caption\">R\u00e9gence<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1470\" height=\"1470\" data-id=\"6249\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333.jpg\" alt=\"\" class=\"wp-image-6249\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333.jpg 1470w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_150185_69cba946463076-80846121-75000333-150x150.jpg 150w\" sizes=\"auto, (max-width: 1470px) 100vw, 1470px\" \/><figcaption class=\"wp-element-caption\">Luigi XV<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1920\" height=\"1920\" data-id=\"6256\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2.jpg\" alt=\"\" class=\"wp-image-6256\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2.jpg 1920w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-380x380.jpg 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-100x100.jpg 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-770x770.jpg 770w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-96x96.jpg 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-150x150.jpg 150w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/img_x1920_119239_68ba8001bae582-70541319-46412445-2-1536x1536.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption class=\"wp-element-caption\">Transition<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"1231\" height=\"1232\" data-id=\"6258\" src=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1.png\" alt=\"\" class=\"wp-image-6258\" style=\"aspect-ratio:1\" srcset=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1.png 1231w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-100x100.png 100w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-96x96.png 96w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-150x150.png 150w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-380x380.png 380w, https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/imagelouis-xvi-1-769x770.png 769w\" sizes=\"auto, (max-width: 1231px) 100vw, 1231px\" \/><figcaption class=\"wp-element-caption\">Luigi XVI<\/figcaption><\/figure>\n<figcaption class=\"blocks-gallery-caption wp-element-caption\">Evoluzione degli stili: console R\u00e9gence, Luigi XV, Transition e Luigi XVI, <em>in vendita su Antikeo<\/em><\/figcaption><\/figure>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Il R\u00e9gence:<\/strong> vero stile di passaggio, avvia l\u2019ammorbidimento delle forme. Le strutture si alleggeriscono del rigore del Grand Si\u00e8cle, ma conservano una geometria visibile e una simmetria relativamente rigorosa.<br><\/li>\n\n\n\n<li><strong>Il Luigi XV:<\/strong> \u00e8 il regno della curva decisa e della gamba arcuata. Il vocabolario rocaille vi si dispiega attraverso un\u2019asimmetria controllata, interamente dettata dalla ricerca del comfort e della leggerezza.<br><\/li>\n\n\n\n<li><strong>Il Transition:<\/strong> come indica il nome, questo stile fa convivere due mondi. \u00c8 un sottile dialogo tra le curve ereditate dal Luigi XV e il ritorno progressivo, quasi timido, delle linee rette.<br><\/li>\n\n\n\n<li><strong>Il Luigi XVI:<\/strong> segnato dal neoclassicismo e dalla riscoperta dell\u2019Antichit\u00e0, consacra il ritorno della linea retta, della simmetria perfetta e delle gambe affusolate scanalate, esaltate da motivi a ghirlande e medaglioni.<\/li>\n<\/ul>\n\n\n\n<h1 class=\"wp-block-heading\">Scopra una selezione di oggetti legati all\u2019articolo<\/h1>\n\n\n\n<p class=\"wp-block-paragraph\"><!-- Bootstrap CSS -->\n<link rel=\"stylesheet\" href=\"https:\/\/cdnjs.cloudflare.com\/ajax\/libs\/twitter-bootstrap\/5.1.3\/css\/bootstrap-grid.min.css\" integrity=\"sha512-q0LpKnEKG\/pAf1qi1SAyX0lCNnrlJDjAvsyaygu07x8OF4CEOpQhBnYiFW6YDUnOOcyAEiEYlV4S9vEc6akTEw==\" crossorigin=\"anonymous\" referrerpolicy=\"no-referrer\" \/>\n\n<div class=\"col-12 section section-latest-products\">\n    <div class=\"row row-product\">\n        <!--print products-->\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia\/altri-tavoli\/un-tavolo-da-scrittura-centrale-con-decorazioni-di-ispirazione-araldica-periodo-luigi-xv-meta-del-xv-173223\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_173223_6abcef3967b683-60432155-44461039.jpg\" alt=\"Un tavolo da scrittura centrale con decorazioni di ispirazione araldica. Periodo Luigi XV, met\u00e0 del XVIII secolo.\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Un tavolo da scrittura centrale con decorazioni di ispirazione araldica. Periodo Luigi XV, met\u00e0 del XVIII secolo.            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">1.100 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia\/mobili-como\/como-luigi-xv-con-marchio-fg-per-francois-garnier-174495\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_174495_6aa3e63a590d71-40307343-20477284.jpg\" alt=\"Com\u00f2 Luigi XV con marchio FG per Fran\u00e7ois Garnier\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Com\u00f2 Luigi XV con marchio FG per Fran\u00e7ois Garnier            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">28.000 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia\/mobili-como\/una-cassettiera-del-periodo-luigi-xv-con-marchio-delorme-laccata-in-stile-giapponese-174490\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_174490_6aa3df36a9a7b8-74960200-80701875.jpg\" alt=\"Una cassettiera del periodo Luigi XV, con marchio Delorme, laccata in stile giapponese.\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Una cassettiera del periodo Luigi XV, con marchio Delorme, laccata in stile giapponese.            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">36.000 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia\/mobili-per-ufficio\/scrivania-inclinata-per-bambini-in-stile-luigi-xv-con-intarsio-1760-circa-173730\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_173730_6a9a4ce69d86f8-06932800-93005692.jpg\" alt=\"Scrivania inclinata per bambini in stile Luigi XV con intarsio - 1760 circa\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Scrivania inclinata per bambini in stile Luigi XV con intarsio - 1760 circa            <\/h3>\n            <div class=\"item-meta\">\n                                    <span class=\"price\">1.300 <span>&#8364;<\/span><\/span>\n                    <\/div>\n        <\/div>\n    <\/div>\n<\/a>\n            <\/div>\n                    <div style=\"cursor: pointer;\" class=\"col-12 col-sm-12 col-md-6  col-lg-4 col-product\">\n                <a href=\"https:\/\/www.antikeo.com\/it\/catalogo\/mobilia\/letti\/antico-lampadario-francese-in-vimini-in-stile-luigi-xvi-xix-secolo-173003\" target=\"_blank\" data-wpel-link=\"internal\">    <div class=\"product-item\">\n        <div class=\"row-custom\">\n            <div class=\"img-product-container\">\n                <img decoding=\"async\" src=\"\" data-src=\"https:\/\/www.antikeo.com\/uploads\/images\/img_x500_173003_6a902a4ba15a46-90653990-85136678.jpg\" alt=\"Antico lampadario francese in vimini in stile Luigi XVI \u2013 XIX secolo\" class=\"lazyload img-fluid img-product\">\n            <\/div>\n        <\/div>\n        <div class=\"row-custom item-details\">\n            <h3 class=\"product-title\">\n                Antico lampadario francese in vimini in stile Luigi XVI 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(max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn5573_294637-aa.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}<\/style><a class=\"kb-button kt-button button kb-btn5573_294637-aa kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn\" href=\"https:\/\/www.antikeo.com\/it\/catalogo\/posti-a-sedere?style=louis_xv_transition\" data-wpel-link=\"internal\"><span class=\"kt-btn-inner-text\">Sedute Luigi XV<\/span><\/a>\n\n<style>ul.menu .wp-block-kadence-advancedbtn .kb-btn5573_512531-37.kb-button{width:initial;}.wp-block-kadence-advancedbtn 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kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn\" href=\"https:\/\/www.antikeo.com\/it\/catalogo\/specchi?style=louis_xv_transition\" data-wpel-link=\"internal\"><span class=\"kt-btn-inner-text\">Specchi Luigi XV<\/span><\/a><\/div>\n\n\n<style>.wp-block-kadence-advancedbtn.kb-btns5573_210a2a-2c{gap:var(--global-kb-gap-xs, 0.5rem );justify-content:center;align-items:center;}.kt-btns5573_210a2a-2c .kt-button{font-weight:normal;font-style:normal;}.kt-btns5573_210a2a-2c .kt-btn-wrap-0{margin-right:5px;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button{color:#555555;border-color:#555555;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:focus{color:#ffffff;border-color:#444444;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button::before{display:none;}.wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:hover, .wp-block-kadence-advancedbtn.kt-btns5573_210a2a-2c .kt-btn-wrap-0 .kt-button:focus{background:#444444;}<\/style>\n<div class=\"wp-block-kadence-advancedbtn kb-buttons-wrap kb-btns5573_210a2a-2c\"><style>ul.menu .wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{width:initial;}.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{background:#9a7c80;border-top-left-radius:358px;border-top-right-radius:358px;border-bottom-right-radius:358px;border-bottom-left-radius:358px;border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;padding:var(--kb-btn-padding);margin:var(--kb-btn-margin);box-shadow:none;}.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button:hover, .wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button:focus{background:#86696d;box-shadow:var(--kb-btn-shadow-hover, none);}@media all and (max-width: 1024px){.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}@media all and (max-width: 767px){.wp-block-kadence-advancedbtn .kb-btn5573_388e64-6f.kb-button{border-top:0px solid;border-right:0px solid;border-bottom:0px solid;border-left:0px solid;}}<\/style><a class=\"kb-button kt-button button kb-btn5573_388e64-6f kt-btn-size-standard kt-btn-width-type-auto kb-btn-global-fill kt-btn-has-text-true kt-btn-has-svg-false wp-block-kadence-singlebtn\" href=\"https:\/\/www.antikeo.com\/it\/catalogo?style=louis_xv_transition\" data-wpel-link=\"internal\"><span class=\"kt-btn-inner-text\">Tutti gli oggetti Luigi XV<\/span><\/a><\/div>\n\n\n\n<h2 class=\"wp-block-heading has-text-align-center has--font-size\">FAQ: tutto sul mobile Luigi XV<\/h2>\n\n\n\n<div class=\"schema-faq wp-block-yoast-faq-block\"><div class=\"schema-faq-section\" id=\"faq-question-1780054654789\"><strong class=\"schema-faq-question\">Come riconoscere un mobile Luigi XV?<\/strong> <p class=\"schema-faq-answer\"> Si distingue immediatamente per l\u2019assenza di linee rette. Osservi le sue gambe arcuate, le sue silhouette bombate, i suoi ornamenti ispirati alla natura e un\u2019evidente ricerca di comfort.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054671703\"><strong class=\"schema-faq-question\">Qual \u00e8 la differenza tra gli stili Luigi XV e Luigi XVI?<\/strong> <p class=\"schema-faq-answer\">\u00c8 tutta una questione di geometria. Il mobile Luigi XV giura soltanto sulle curve, sul movimento e sull\u2019asimmetria. Al contrario, lo stile Luigi XVI segna il ritorno della linea retta, della simmetria perfetta e del gusto neoclassico.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054924914\"><strong class=\"schema-faq-question\">Quali sono le caratteristiche di una commode di quest\u2019epoca?<\/strong> <p class=\"schema-faq-answer\">Questo pezzo forte presenta una facciata sinuosa, un piano in marmo tagliato su misura e maniglie in bronzo cesellato. A seconda della manifattura, sfoggia un\u2019impiallacciatura in legno pregiato oppure la sobriet\u00e0 di un\u2019essenza regionale massiccia.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054940063\"><strong class=\"schema-faq-question\">Quali sono i motivi ornamentali pi\u00f9 frequenti?<\/strong> <p class=\"schema-faq-answer\">Il repertorio decorativo prende in prestito le sue forme dall\u2019universo marino e vegetale: vi si ritrovano principalmente conchiglie asimmetriche, volute, fogliami intrecciati e composizioni floreali.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1780054953263\"><strong class=\"schema-faq-question\">Quali artisti hanno segnato l\u2019ebanisteria e la falegnameria sotto Luigi XV?<\/strong> <p class=\"schema-faq-answer\">Tra le firme prestigiose dell\u2019artigianato parigino del XVIII secolo, si ricordano in particolare gli ebanisti Charles Cressent, BVRB e Jean-Fran\u00e7ois Oeben, nonch\u00e9 i maestri della seduta Nicolas-Quinibert Foliot e Jean-Baptiste Tilliard.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788867943712\"><strong class=\"schema-faq-question\">Quali sono le date dello stile Luigi XV?<span style=\"color: rgb(0, 0, 0); font-size: medium; white-space: normal;\"><\/span><\/strong> <p class=\"schema-faq-answer\">Il regno di Luigi XV si estende dal 1715 al 1774, ma lo stile rocaille pieno fiorisce soprattutto dagli anni Venti agli anni Sessanta del Settecento. A partire dalla fine degli anni Cinquanta, il gusto antico comincia gi\u00e0 a modificare le forme e conduce progressivamente allo stile Transition.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788867993822\"><strong class=\"schema-faq-question\">Che cos\u2019\u00e8 una poltrona cabriolet?<\/strong> <p class=\"schema-faq-answer\">A differenza della poltrona \u00e0 la reine, il cui schienale \u00e8 piatto, la poltrona cabriolet possiede uno schienale concavo che asseconda maggiormente il corpo. Pi\u00f9 leggera e mobile, \u00e8 concepita per essere collocata nella stanza piuttosto che sistematicamente allineata contro le boiserie.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788868046639\"><strong class=\"schema-faq-question\">I mobili Luigi XV sono sempre stampigliati?<\/strong> <p class=\"schema-faq-answer\">No. La stampiglia diventa obbligatoria a Parigi nel 1743 per i mobili messi in vendita, ma i pezzi anteriori, quelli provinciali o alcune forniture della Corona possono sfuggire a questa regola. L\u2019assenza di marchio non \u00e8 quindi mai un verdetto sufficiente.<\/p> <\/div> <div class=\"schema-faq-section\" id=\"faq-question-1788868053822\"><strong class=\"schema-faq-question\">Come distinguere un mobile d\u2019epoca Luigi XV da un mobile in stile Luigi XV?<\/strong> <p class=\"schema-faq-answer\">Occorre esaminare struttura, giunzioni, impiallacciature, cassetti, ferramenta, bronzi, marmo, stampiglie e usura. Il XIX secolo ha ripreso moltissimo il vocabolario Luigi XV: una bella bombatura o una conchiglia rocaille non bastano dunque a stabilire una datazione.<\/p> <\/div> <\/div>\n","protected":false},"excerpt":{"rendered":"<p>Sinuoso, elegante e animato da una nuova ricerca di comfort, lo stile Luigi XV rappresenta uno dei grandi momenti del&#8230;<\/p>\n","protected":false},"author":1,"featured_media":6055,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_kad_blocks_custom_css":"","_kad_blocks_head_custom_js":"","_kad_blocks_body_custom_js":"","_kad_blocks_footer_custom_js":"","_kad_post_transparent":"","_kad_post_title":"","_kad_post_layout":"","_kad_post_sidebar_id":"","_kad_post_content_style":"","_kad_post_vertical_padding":"","_kad_post_feature":"","_kad_post_feature_position":"","_kad_post_header":false,"_kad_post_footer":false,"_kad_post_classname":"","footnotes":""},"categories":[572],"tags":[],"yst_prominent_words":[],"class_list":["post-6356","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-gli-stili-decorativi"],"lang":"it","translations":{"it":6356,"fr":5573,"en":6354,"de":6358},"taxonomy_info":{"category":[{"value":572,"label":"Gli stili decorativi"}]},"featured_image_src_large":["https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/Louis-XV.jpg",1000,1000,false],"author_info":{"display_name":"Antikeo","author_link":"https:\/\/www.antikeo.com\/magazine\/author\/admin\/"},"comment_info":0,"category_info":[{"term_id":572,"name":"Gli stili decorativi","slug":"gli-stili-decorativi","term_group":0,"term_taxonomy_id":572,"taxonomy":"category","description":"","parent":0,"count":1,"filter":"raw","cat_ID":572,"category_count":1,"category_description":"","cat_name":"Gli stili decorativi","category_nicename":"gli-stili-decorativi","category_parent":0}],"tag_info":false,"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v14.0.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Come riconoscere lo stile Luigi XV? - Antikeo Magazine<\/title>\n<meta name=\"description\" content=\"Impari a riconoscere lo stile Luigi XV, a comprenderne il contesto storico e l\u2019ornamentazione, e scopra i mobili caratteristici.\" \/>\n<meta name=\"robots\" content=\"index, follow\" \/>\n<meta name=\"googlebot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta name=\"bingbot\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antikeo.com\/magazine\/it\/come-riconoscere-lo-stile-luigi-xv\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Come riconoscere lo stile Luigi XV? - Antikeo Magazine\" \/>\n<meta property=\"og:description\" content=\"Impari a riconoscere lo stile Luigi XV, a comprenderne il contesto storico e l\u2019ornamentazione, e scopra i mobili caratteristici.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.antikeo.com\/magazine\/it\/come-riconoscere-lo-stile-luigi-xv\/\" \/>\n<meta property=\"og:site_name\" content=\"Antikeo Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/antikeo\" \/>\n<meta property=\"article:published_time\" content=\"2026-06-10T09:31:59+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-10-19T19:13:19+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.antikeo.com\/magazine\/wp-content\/uploads\/2026\/06\/Louis-XV.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1000\" \/>\n\t<meta property=\"og:image:height\" content=\"1000\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<!-- \/ Yoast SEO Premium plugin. -->","publishpress_future_workflow_manual_trigger":{"enabledWorkflows":[]},"pll_sync_post":{},"_links":{"self":[{"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/posts\/6356","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/comments?post=6356"}],"version-history":[{"count":3,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/posts\/6356\/revisions"}],"predecessor-version":[{"id":6405,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/posts\/6356\/revisions\/6405"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/media\/6055"}],"wp:attachment":[{"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/media?parent=6356"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/categories?post=6356"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/tags?post=6356"},{"taxonomy":"yst_prominent_words","embeddable":true,"href":"https:\/\/www.antikeo.com\/magazine\/wp-json\/wp\/v2\/yst_prominent_words?post=6356"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}