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A magnificent hand-painted miniature on ivory, signed by the artist and dating from the first third of the 19th century, sublimated by a lovely bronze frame with signature on the paw.
The term "miniature" refers to a small painting, usually a portrait. First appearing in the 16th century, miniatures enjoyed their golden age in Europe between 1760 and 1840.
Until 1750, the work was produced on prepared parchment or vellum and laid on a copper or wood plate.
Some artists produced them on copper and enamel as early as the end of the 16th century.
It was in the 18th century, under Louis XV, that miniature art experienced its greatest expansion, being produced on a more suitable medium with a color close to that of human skin: ivory. This noble material was the main support for miniatures until 1850.
It's not uncommon to find thin sheets of silver or gold called paillons on the back of ivory plates. They were intended to "illuminate the face".
In the 19th century, paper made its appearance as a support for miniatures.
The fragility of ivory plates required meticulous, refined framing.
Most miniatures were painted in gouache or watercolor.
The painter creates the portrait using stippling or hatching, which must be invisible to the viewer's eye.
Small dots of gouache make up the body, while watercolor is often reserved for plain, natural or historiated backgrounds.
A "goldsmith's work", miniature painting requires great skill and meticulous execution.
The invention and widespread use of photography in the second half of the 19th century heralded its demise. A precise and precious art, its finest examples are now preserved in the great European museums: the Louvre, Cognacq-Jay, Stockholm's National Museum, London's Wallace collection.
Ref: MORLIUMD9U