Still life pastel colors

TECHNIQUE: Oil on canvas
PERIOD: 20th century
DIMENSIONS without frame: 54 x 65 cm
DIMENSIONS with frame: 58 x 70 cm frame (floating frame)
EXAMPLE: Original work, studio stamp on the back of the painting.
Sold with the frame
 
Elisabeth HAHN was born in Dortmund, Germany, where she began her artistic studies. In 1953, she moved to Paris. She continued her studies at the Beaux-Arts in the studios of Jean Souverbie and Edmond Heuzé between 1954 and 1959. Since 1962, she has exhibited regularly at the Salons de l'Art Libre, the Salon de l'Union des Artistes, and in major Parisian galleries: Galerie Raymond-Creuze, Galerie Cimaise de Paris, and Galerie Everarts. She also exhibits regularly in Germany at Königswinter-Oberpleis.
In her figurative paintings, she always seeks to place color and line at the service of the subject, eliminating all details that might detract from the overall expression. Elisabeth Hahn's painting fully deserves to be rediscovered.
This is all that can be found on Elisabeth Hahn's life; it's not much considering that she was active throughout the second half of the 20th century, and perhaps even longer. The bottom line is that she benefited from serious training at the École des Beaux-Arts with great professors, at a time when France was a shining star in the art world. She has also been exhibited in major galleries, some of which brought their artists to the Musée d'Art Moderne and to major collections.
For the rest, it is her works that speak for themselves, first and foremost about color, colors! The harmony of her palette is omnipresent and if it changes or evolves over the years the balance is always there. Her compositions are always very accurate, Elisabeth Hahn masters the space in her paintings. And if she does not focus on details, her drawing is sure, vigorous at times, some of her paintings have an expressionist side, perhaps due to her origins. She approaches all the themes of painting, portraits, nudes, scenes of life, still lifes, landscapes. She is an observer of the world around her, she knows how to transcribe gestures and emotions, and shares them with us on her canvases. We can recognize her workers, whether they are fishermen or laborers. There is no amplification or caricature, no allegory; her characters are familiar to us, and she delivers their essence to us...
*This work is sold as is. Its pre-owned nature implies the buyer's acceptance of the possibility that it may contain signs of use, wear, fragility, age, or restoration due to the passage of time.

Ref: 54PRGKCDG1